From a piece on the 25th anniversary of Star Trek: Generations, found here: http://www.grantland.com/story/_/id/8435126/next-generation-turns-25 : "[T]hink about the Harry Potter series. One of the reasons J.K. Rowling's books exerted such an appeal over every sentient creature on earth is that they resolved, indeed fused, a cultural contradiction. She took the aesthetic of old-fashioned English boarding-school life and placed it at the center of a narrative about political inclusiveness. You get to keep the scarves, the medieval dining hall, the verdant lawns, the sense of privilege (you're a wizard, Harry), while not only losing the snobbery and racism but actually casting them as the villains of the series. It's the Slytherins and Death Eaters who have it in for mudbloods, not Harry and his friends, Hogwarts' true heirs. The result of this, I would argue, is an absolutely bonkers subliminal reconfiguration of basically the entire cultural heritage of England. It's as if Rowling reboots a 1,000-year-old national tradition into something that's (a) totally unearned but (b) also way better than the original. Of course it electrified people."